Jan-Pieter Karper, Amsterdam NL janpieterkarper@gmail.com +31 (0) 6 228 22 449 Collaborators and clients de Appel, AG gallery, Amsterdams Grafisch Atelier, AHK, Semâ Bekirović, Annabelle Binnerts, Esmée Bruins, Marcus Bruystens, Kaixin Chen, Indigo Deijmann, Timo Demollin, Dooyewaard Stichting, Britt Dorenbosch, Museum für Druckkunst, Uta Eisenreich, Europizza Restaurant, Errant Journal, Robert Glas, HKU, Kapitaal Utrecht, Elena Khurtova, Kummer&Herrman, Marijn van Kreij, Ludwig Museum, Pauline Hafsia M’barek, Rachel Morón, Jaya Pelupessy, Pieter Paul Pothoven, Marisa Rappard, Anika Schwarzlose, Helmut Smits, Batia Suter, Mong-Hsuan Tsai, Werkplaats Typografie, Vandejong, Rozemarijn Westerink Group exhibitions 2025 What, after all, is a flag ?, LIMBO, Geneva (CH) 2024 Around Publishing, E.SCAPE gallery, Shanghai (CN) 2024 For Every Atom, with Semâ Bekirović, Fries Museum, Leeuwarden (NL) 2024 Zeit zu drucken 4, Museum für Druckkunst, Leipzig (DE) 2023 P-A-G-E-S, HEAD-Genève, Geneva (CH) 2022 New York Art Book Fair, 548 West, New York City, (US) 2022 Kunstenfestival Aardenburg, with Semâ Bekirović, Aardenburg (NL) 2022 Table of Futile Evenings, ISO, Amsterdam (NL) 2022 De Verdieping, AG, Utrecht (NL) 2021 Ethereal Zero P(layer), Galerie du CROUS, Paris (FR) 2021 A Quiet Manifestation, Het HEM, Zaandam (NL) 2021 De Best Verzorgde Boeken 2020, Stedelijk Museum Amsterdam, Amsterdam (NL) 2019 Into the Great Wide Open, with Semâ Bekirović, Vlieland (NL) Solo exhibitions 2024 Two Sides of an Open Hand, LIMBO, Geneva (CH) 2023 Cyan, Magenta and Yellow in Red, Green and Blue, 2WALLS, Het HEM, Zaandam (NL) 2022 An image of a glass opposite an image of a lemon, Werkplaats Typografie, Arnhem (NL) Curating 2022 the passenger, Kaixin Chen, Omstand, Arnhem (NL) 2021 Re:Re:Re:, with Semâ Bekirović, Annabelle Binnerts, Esmée Bruins, Indigo Deijmann, Timo Demollin, Uta Eisenreich, Marijn van Kreij, Jaya Pelupessy, Helmut Smits, Batia Suter, AG, Utrecht (NL) 2019 Reading by Osmosis, Semâ Bekirović, Glazen Huis, Amsterdam (NL) Residencies 2024 E.SCAPE Gallery, Shanghai (CN) 2023 Museum für Druckkunst, Leipzig (DE) Texts 2020 Visit (1883–2020), The Best Dutch Book Designs 2020 2019 Interview Monsterkamer 2019 Laat de politiestrepen niet ongemerkt verfletsen, NRC, NRC Handelsblad 2019 On how material considerations form the basis of graphic design work, It’s Nice That Photocredits Robert Glas, Johanna Himmelsbach, Bart Lunenburg Website build by Raoul Audouin