Jan-Pieter Karper

Cyan, Magenta and Yellow in Red, Green and Blue, 2023, Het HEM, Zaandam. Installation made with three different screenprinted patterns of 50 × 50 cm.

RGB-prints, 50 × 70 cm. Ongoing series of screenprinted posters in fluorescent red, green and blue. These prints are part of a research in printing photographic images in the primary additive colours. Some prints are for sale, ask here.

Echoes of the Sun, 42 × 59,4 cm, 2022, with Semâ Bekirović for Kunstenfestival Aardenburg 2022. Poster series printed with white ink on white paper. An image of the sun will appear when the paper yellows over time due to the sunlight.

An image of a glass opposite an image of a lemon, 2022, Werkplaats Typografie, Arnhem. Installation of two large RGB-prints in fluorescent red, green and blue.

the passenger, 21 × 29,7 cm, 16 p., 2022, Omstand, Arnhem. Publication and promotion for several showings of the video work the passenger of Kaixin Chen.

Blinds in fluorescent red and green, 2022, Agnietenplaats 2, Arnhem

Re:Re:Re:, 2021, AG, Utrecht. Curated exhibition with Semâ Bekirović, Annabelle Binnerts, Esmée Bruins, Indigo Deijmann, Timo Demollin, Uta Eisenreich, Marijn van Kreij, Jaya Pelupessy, Helmut Smits and Batia Suter, investigating the notion of reproduction as a method of working.

Errant Journal, 17 × 24 cm, ongoing. Issue #1, WHEN ARE WE? Issue #2, SLOW VIOLENCE Issue #3, DISCOMFORT Issue #4, STATES OF STATELESSNESS You can purchase Errant Journal here.

Designs for Euro Pizza Restaurant in Amsterdam.

Letterhead Stichting Doubleyoutee, 2021, Werkplaats Typografie.

Fly curtain in fluorescent red and green, 2021, A Quiet Manifestation, Het HEM, Zaandam.

Industry as Culture as Industry, 22 × 28 cm, 16 p., 2021. Publication for Laurens Otto and Timo Demollin.

The Random Factory, 18,5 × 18,5 cm, 2021. Single for Eilander pre-printed in offset red, green and blue and screenprinted with black making various moire patterns.

Visit (1883–2020). Notes on Museumplein's exhibitionary complex across coloniality and modernity, 22 × 28 cm, 120 p., 2020. Publication for Timo Demollin as part of his work in the exhibition In the Presence of Absence at Stedelijk Museum Amsterdam. Selected for The Best Dutch Book Designs 2020.