Jan-Pieter Karper

GUEST, 21 × 29,7 cm, 72.p., 2023. Publication for Annabelle Binnerts as part of the presentation A room with the word ghost inside at De Ateliers, Amsterdam.

Errant Journal issue #5 LEARNING FROM ANCESTORS Epistemic restitution and rematriation, 17 × 24 cm, 128 p., 2023.

Emotional napkin, 2023, made for the graduation ceremony for Werkplaats Typografie.

Light box for Europizza Restaurant.

Designs for BENELUX BAR. All the programming announcements are made by the staff based on instructions and stamps.

Canopies in fluorescent red and fluorescent green, and fluorescent green and blue, 2023, at P-A-G-E-S Print and Art Book Fair, Geneva.

Identity for restaurant Europa in Amsterdam, 2023.

Instructional napkin, 2022, for group exhibition Table of Futile Evening, ISO, Amsterdam.

Light boxes for Europizza Restaurant.

Errant Journal issue #4 STATES OF STATLESSNESS, 17 × 24 cm, 128 p., 2022.

Cyan, Magenta and Yellow in Red, Green and Blue, 2023, Het HEM, Zaandam. Installation made with three different screenprinted patterns of 50 × 50 cm.

RGB-prints, 50 × 70 cm. Ongoing series of screenprinted posters in fluorescent red, green and blue. These prints are part of a research in printing photographic images in the primary additive colours. Some prints are for sale, ask here.

Errant Journal issue #3 DISCOMFORT, 17 × 24 cm, 136 p., 2022.

Canopy in fluorescent red and green, 2022 at New York Art Book Fair, New York City.

Echoes of the Sun, 42 × 59,4 cm, 2022, with Semâ Bekirović for Kunstenfestival Aardenburg 2022. Poster series printed with white ink on white paper. An image of the sun appears when the paper darkens over time due to the sunlight.

An image of a glass opposite an image of a lemon, 2022, Werkplaats Typografie, Arnhem. Installation of two large RGB-prints in fluorescent red, fluorescent green and blue.

the passenger, 21 × 29,7 cm, 16 p., 2022, Omstand, Arnhem. Publication and promotion for several showings of the video work the passenger of Kaixin Chen.

Blinds in fluorescent red and green, 2022, Agnietenplaats 2, Arnhem.

Re:Re:Re:, 2021, AG, Utrecht. Curated exhibition investigating the notion of reproduction as a method of working. With: Semâ Bekirović, Annabelle Binnerts, Esmée Bruins, Indigo Deijmann, Timo Demollin, Uta Eisenreich, Marijn van Kreij, Jaya Pelupessy, Helmut Smits and Batia Suter. “At a time when the distribution of images is lightning-fast and virtually infinite, and the distinction between original and copy often seems irrelevant, the artists in Re:Re:Re: dissect and illuminate various aspects of the image, reinterpreting its meaning. Using different reproduction techniques and methods of appropriation, they reflect on the origin and status of the image, its inner structure, economic value, legibility and the relationship to language. Re:Re:Re: presents the image as ‘unfinished business’: not as a static representation or visual end product, but as an eternal intermediate form within a lively network of connections to countless other images and contexts.” (Excerpt from exhibition text written by Peter van Dijk)

Errant Journal issue #2 SLOW VIOLENCE, 17 × 24 cm, 128 p., 2021.

Letterhead Stichting Doubleyoutee, 2021, Werkplaats Typografie.

Fly curtain in fluorescent red and fluorescent green, 2021, for group exhibition A Quiet Manifestation, Het HEM, Zaandam. The curtain marked the entrance of the exhibition which mainly existed of digital works. The fluorescent red- and green together form an optical yellow similar to how digital screens construct the colour yellow. As if the entrance was a digital portal to the exhibition behind it.

Sontag, s., (2009), Against Interpretation and Other Essays, London, England: Penguin Books – Sontag, S., (2019), Tegen Interpretatie essays, Amsterdam, The Netherlands: de Arbeiderspers, 21 × 29,7 cm, 40 p., 2021. Publication for Mary Shelley Facsimile Library. A juxtaposition of the original essay Against Interpretation by Susan Sontag, and a Dutch translation.

Various designs for Euro Pizza Restaurant in Amsterdam. All designs are made using Letraset Instant Lettering sheets.

Industry as Culture as Industry, 22 × 28 cm, 16 p., 2021. Publication for Laurens Otto and Timo Demollin.

The Random Factory, 18,5 × 18,5 cm, 2021. Single for Eilander pre-printed in offset in fluorescent red, fluorescent green and blue lines and screenprinted with black lines in different angles making various and unique coloured moire patterns.

Visit (1883–2020). Notes on Museumplein's exhibitionary complex across coloniality and modernity, 22 × 28 cm, 120 p., 2020. Publication for Timo Demollin as part of his work in the exhibition In the Presence of Absence at Stedelijk Museum Amsterdam. All content is printed on top of each other using white ink superimposing archival image sections with contemporary texts and vice versa. Selected for The Best Dutch Book Designs 2020.

Errant Journal issue #1 WHEN ARE WE?, 17 × 24 cm, 128 p., 2020.

Forverts, 21 × 28 cm, 44 p., 2020. Publication for Rachel Morón based on her research method using overlays with stickers and different materials.

Reading by Osmosis, 21,8 × 28 cm, 112 p., 2019. Publication for Semâ Bekirović. The paper on the cover is sensitve to UV light, making white printed text slowly appear when the paper darkens over time.