Print design and typography janpieterkarper@gmail.com +31 (0) 6 228 22 449 Amsterdam NL Collaborators and clients AG (gallery), AHK (school for the arts), Semâ Bekirović, Annabelle Binnerts, Esmée Bruins, Marcus Bruystens, Kaixin Chen, Irene de Craen (Errant Journal), Indigo Deijmann, Timo Demollin, Dooyewaard Stichting, Britt Dorenbosch, Uta Eisenreich, Europizza Restaurant, Robert Glas, HKU, Kapitaal Utrecht, Marijn van Kreij, Kummer&Herrman, Mong-Hsuan Tsai, Rachel Morón, Jaya Pelupessy, Marisa Rappard, Anika Schwarzlose, Helmut Smits, Batia Suter, Vandejong, Werkplaats Typografie, Rozemarijn Westerink Exhibitions 2023 P-A-G-E-S, HEAD-Genève, Genève CH 2023 Cyan, Magenta and Yellow in Red, Green and Blue, Het HEM, Zaandam NL 2022 New York Art Book Fair, 548 West, New York City, USA 2022 Kunstenfestival Aardenburg, with Semâ Bekirović, Aardenburg NL 2022 Table of Futile Evenings, ISO, Amsterdam NL 2022 An image of a glass opposite an image of a lemon, Werkplaats Typografie, Arnhem NL 2022 De Verdieping, AG, Utrecht NL 2021 Ethereal Zero P(layer), Galerie du CROUS, Paris FR 2021 A Quiet Manifestation, Het HEM, Zaandam NL 2021 De Best Verzorgde Boeken 2020, Stedelijk Museum Amsterdam NL 2019 Into the Great Wide Open, with Semâ Bekirović, Vlieland NL Curating 2022 the passenger, Kaixin Chen, Omstand, Arnhem NL 2021 Re:Re:Re:, with Semâ Bekirović, Annabelle Binnerts, Esmée Bruins, Indigo Deijmann, Timo Demollin, Uta Eisenreich, Marijn van Kreij, Jaya Pelupessy, Helmut Smits, Batia Suter, AG, Utrecht NL 2019 Reading by Osmosis, Semâ Bekirović, Glazen Huis, Amsterdam NL Texts 2020 Visit (1883–2020), The Best Dutch Book Designs 2020 2019 Interview Monsterkamer 2019 Laat de politiestrepen niet ongemerkt verfletsen, NRC, NRC Handelsblad 2019 On how material considerations form the basis of graphic design work, It’s Nice That Photocredits Robert Glas, Johanna Himmelsbach, Bart Lunenburg Website build by Raoul Audouin